Two songs this month! We’re starting 2012 correct!
More coming your way, very soon!
-mnshyn




Two songs this month! We’re starting 2012 correct!
More coming your way, very soon!
-mnshyn
I know it’s been a while since the blog has been active, and what better way to get back into it than a new song? =]
After debating for a while on how to attack a new album, I’ve finally come up with some really good ideas I want to put down. This is the first of a number of tracks that will be coming out in the next few months.
Here’s the new album name: Phase 4 – Take the Lead
You can dissect that one however way you like. =]
More coming your way, very soon!
-mnshyn
This week we have a useful mastering app. =D
This one’s a really old version of T-RackS that I’ve used to help me master finished mixes. If you don’t know how to master tracks or can’t afford someone else to do it, you can use this app to maximize the sound out of your tracks. Later incarnations of this app include VST versions that you can use on your DAW’s, so if you like this app, you may want to research the newer versions of T-RackS as well as other similar apps such as iZotope Ozone.
Head on out to our Production Vault and get the app today!
Also, remember to sign up for our Mailing List to get weekly updates on our music, the blog, and our production vault!
More coming your way!
-mnshyn
Today’s update of the MsP Beats Section has a beat called “Post Up.”
This is one is inspired by the Lex Luger beats that have been used recently, such as “BMF” by Rick Ross, “H.A.M.” by Kanye West and Jay-Z, and “Hard in da Paint” by Waka Flocka.
For more information, including purchase/lease information, click here, or click here for more beats.
Make sure to sign up for the Mailing List to get updates on new beats plus updates to the Production Vault.
More to come soon!
-mnshyn
I’m currently in my Music Theory II class, and I’m hoping to use some of the techniques and pointers I’ve been learning in the class into my music. For reference, here are the appropriate ranges for singing voices as outlined in class:
Soprano: C4 – G5
Alto: G3 – D5
Tenor: D3 – G4
Bass: C2 – C4
These ranges are a little flexible, as I’ve seen other sources have these ranges expanded, at the most, by a full step in one or both directions. You can use these ranges to determine whether or not the key that you are writing in will fit with a particular singer if you know their range.
More stuff to come soon!
-mnshyn