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Phase 3 - L.Y.R.I.C.A.L. Without Fear

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Posts Tagged ‘brian bullion’

MsP Production Vault: Drum Kit – Soleternity BOTB5 Swipe Kit, Plus Roll Call ’10 Updates

Wednesday, April 7th, 2010

It’s Wednesday, so you know what that means.  New samples in the Production Vault!  Every Wednesday, we will be putting up a new sample kit for you aspiring and established producers to download and use in your tracks.

Today, we have a kit from established producer Soleternity, who has production credits with over 20 gold/platinum artists.  The homie Sol competed in the Grind Time Now Battle of the Bay 5 Producer Battle, and he has donated the kit that he used for that occasion to our vault.  Now you can get these drums as well!

Head over to the MsP Production Vault to get this kit, and last week’s kit.

Also, take note of the new MsP Mailing List! Sign up to get weekly updates on our blog, the Production Vault, and other MsP related news and updates.

Some updates on Roll Call ’10 this week:

FoRcE oNe recorded his demo verse for his contribution to the album.  The track is yet to be titled.  It has a very strong Young Money influence as he is a big fan of them.   We’re looking to have this one finished by this Saturday, so keep checking back to see this and more new releases.

Also, ADM and I started work on his contribution, which is a hip-hop track that he is producing and I (and possibly K-Maculate) will be supplying the vocals for (Peep the previous post for more details).

The last update we have for this week is work on Brian Bullion’s contribution, which will be an Incubus-influenced track.  We’re a few alphas in, but we’re still missing some key ingredients to make this what we’re looking for.  Hopefully, we’ll be breaking some ground soon.

Keep checking back for more updates!  People are staying busy with the music hustle, and with the summer coming up and everyone on break, output is sure to pick up.

-mnshyn

Copyright Made Easy, Pump Audio, and More Roll Call ’10 Updates

Thursday, March 25th, 2010

Copyrights, I say?  Yes.  Made easy, I say?  Yes.

Between my first two solo albums (“Phase 1 – Neolyrical” and “Phase 2 – Lyrics to an Identity“) and the one I just released, “Phase 3 – L.Y.R.I.C.A.L. Without Fear“, there was a five year gap, 2005 to 2010.  Of course, within that gap, so many things have come to the internet, including ways to make it easier for us at-home musicians/hobbyists/aspiring musicians.  From a marketing aspect, you have MySpace, Facebook, and Twitter for your social networking, and you also have internet radio stations like Jango and Last.FM.  Even Performance Rights Organizations like BMI have ways to register music online.

Recently, ADM told me about this one site called Pump Audio who offers services in getting your music to filmmakers and such who need music.  Basically, there’s licensing involved, and you get a cut of the royalties when someone decides to use your music for their project.  Not a bad thing, right?

I have read about the positives and negatives about sites like Pump Audio.  Some talk about the royalties split, some talk about whether or not they give you the exposure that you expect, and some even say that they take your music and try to repackage it.  That last one is the scariest.  Money to me isn’t that important, since I have a full-time job that pays ok.  Exposure, well I can take any exposure I can get.  As far as repackaging it, although only 1 or 2 claim that and it was never truly proven, that scares me a lot.

With that story told, you should now know why I’m now talking about copyright, and hoping that this post will give people some insight on what they can do for copyright.  I’ll be updating this post with some more information to make sure I’m 100% accurate, as what is a resource when it’s not fully reliable?

FRIENDLY REMINDER: You copyright music.  You don’t patent or trademark music.

To start off, copyright law says that if you made it and it can be shown, you own it. (See the When is my work protected? question in the government’s copyright official copyright section)

That’s quite easy to say, but unfortunately, that’s hard to prove in court.

Secondly, let’s address the “Poor Man’s Copyright,” which basically is the method of mailing your work to yourself and using the postmark as proof.  The copyright site debunks that as well since there are ways to presend an envelope then put the materials inside.  So no go with that. (See the I’ve heard about a “poor man’s copyright.” What is it? question in the government’s copyright official copyright section)

The best way, albeit a little pricey, is to go with the REAL, AUTHENTIC copyright.  Meaning, you go straight to the government and submit your music to the Library of Congress.  If you’ve got the certificate of copyright, you’re good to go in court.

Back in the day, (sounding like an old man, yet not at or above the age of 30), there were different forms you had to fill out if you wanted to do it the right way.  Those familiar with the process know of forms like the SR form, or the PA form.  You would pay $45 and submit your music on CD along with the proper forms.  Like doing your taxes, different forms were used for different situations, and you really had to read the print to know what’s going on.  It would get confusing also.  One of the biggest questions for me was, do I need to send $45 per song?  I have a 16 track album, so that means I have to shell out more than $700 just to copyright an album?

Well the answer to this is yes and no, depending on what you’ve got.  If you are the sole writer/performer of all the songs, you could actually submit one CD with all the songs, and only have to pay $45 once.  Good deal, right?

If you’re like me though, that won’t work.  Half of my songs are collabs on my albums, usually.  Since I’m not the sole writer/performer, you can’t submit just once.  You need to submit each song separately due to the spread of copyright between different writers/performers.

Examples are on this page. Scroll down to see the examples.

Then there would be the long wait time, because you’d have to mail it, wait for them to receive it, and then wait for your certificate.  One thing to note though, YOU ARE PROTECTED THE MINUTE THEY’VE RECEIVED IT.  So when you mail, you would attach a return receipt, and you can deem the song as properly copyrighted once you get that receipt back acknowledging that they’ve received the package on whatever date.

Since the last time I’ve had my hand on this, the copyright office has done two things that have made this easier.

The first is now there is only one form: The CO form.  Great!

And as an allusion back to my whole 5 year gap and the internet thing, the copyright office now allows ONLINE SUBMISSIONS, or what they call the eCO.  The price of submitting an eCO is $10 lower, probably because of smaller admin costs. You can peep here if you want to see what’s up.

So with all that, we musicians can now do our copyrighting online!

I just tried it, and I submitted two songs up on one CD (both solely mine), and coincidentally the same songs I’m going to use for Pump Audio.  It was very easy to do.  I signed up, filled out the online form, paid through their ACH/Credit Card system, and submitted the mp3′s.  Can’t really get much easier than that.

Now that I know they’ve gotten  my payment and my mp3 submissions, I can consider those two songs copyrighted!  They’ll be sending me the certificate after going through the processes.  I can now send to Pump Audio without fear of them stealing stuff and not having any protection.

Hopefully that helped you out, if you wanted to know anything about copyright.  I’ll be studying this more to see if I can add in some more useful info.

And as far as Roll Call ’10 info, aside from the work previously announced, Brian Bullion’s submission looks like it will be an Incubus style track, and ADM is submitting a rap beat (yes, a rap beat!) for use in the compilation.  People are leaving their comfort zones to mix stuff up.  Let’s see how this all goes down!

More to come, as always!  Keep it locked.

-mnshyn

Black and Blue Ink.’s Lyricist Manifesto, “Left Hook,” and The Pro Tools M-Powered 7.4 Windows 7 Fix

Sunday, February 21st, 2010

Before I begin, I’ll put the fix up:

ProTools M-Powered 7.4, Internet Explorer 8 and Windows 7 Fix

As I’m sure many people will be wanting that first. I don’t want people to think I actually don’t have the fix and I’m just leading them to my blog as a deception. For more info, read further down below about the fix because I did make some notes on it.

As a short note, this is the fix for the 0xc0000005 error you get when starting Pro Tools M-Powered 7.4 on Windows 7 32-bit, with or without Internet Explorer 8.  My guess is that you can probably apply this fix on older versions of Windows and it will allow you to keep IE8.

==

So Black and Blue Ink. has officially started work on “The Lyricist Manifesto,” the new album slated for this coming Fall 2010. Since you can count on BBI coming through with nothing but hard lyrics and hard beats, that’s what you will pretty much get out of this. No hooks, no fancy intros, no nonsense. Just straight up in your face lyrics with creativity and imagery, pushing the limits of rap lyrics. As soon as the beats hit, we’re off taking turns spittin a 16, 24, or even 32. If you’re a fan of metaphors, imagery, punchlines, and literary devices, and other rap/poetry/prose techniques, this is the album for you, combined with hardcore beats.

This is a bit of a departure for me, because I am more of a song/track oriented rapper than a lyrical rapper (though I used to be back in the days), and that’s because as of late I’ve been really pushing for my musicianism to materialize in my music in terms of the way beats are made, usage of music theory, different techniques in song form, etc.  However, the fact that it is a departure, also presents itself and a challenge, and a challenge I definitely want to take up.

The challenge now, involves a couple of things.

First off, for example, we just finished recording a song called “Left Hook.”  It’s called as such because we “left hook” out.  No hook.  Also, for some odd reason (though commonplace if you’ve ever had the experience of watching K-Maculate record), K-Maculate alludes to not being lefty but bringing it to you.  I don’t know why, he just did (it brought many a laugh between me, ADM, Harmony Speaks and Boy Gnyus who were all present at the time).  The song itself is 1:45.  Yes, not even two minutes.  We both spit 16 bars, and that was it.  As K wanted it, he wanted no hooks, no intros, no nonsense, spit and continue on.

It just seems a bit short to me.  However, we agreed that we could maybe spit 24s on future beats, just to try to at least make the 2 minute mark.  So that was resolved.

The next challenge, is making the entire album not sound repetitive, and giving each song a character.  Normally, every song has some kind of character to the beat, to your lyrics, some character by topic, and by the chorus you put in or other characteristics.  With this project, you’re confined to the beat and lyrics only.

The good thing about this is that it hones in my writing, and maybe it will make me more creative lyrically.

As a producer, I have to make the marriage between the vocals and the beat in a way that even if we are spittin our usual bravado for every song, I can make it so that each song still carries a character.

I’ll know I’ve succeeded if by the end of this project, the vocals and beat are so intertwined that mixing the acapellas and instrumentals would be blasphemous (tempo not withstanding).

This may not seem like a challenge, but when you’re dealing with these type of lyrics, those vocals can easily be moved to a different instrumental and it would be perfectly fine.  I feel that in order for this album to be stronger, the beats and vocals must be 100% complementary, and that may only be possible if the beat is tailored perfectly to the vocals.  I don’t want loose vocals that could go on any beat.  This means a lot more post-production work rather than pre.  Once K and I record our verses, I will go through the track, take notes on the vocals, then go back and add to the beat so that the beat fits the vocals as completely as possible.  I guess you can say it’s like a movie score.

Now that I’ve written all that, I feel I have a better grasp on what I need to do with these tracks as we move forward.  Let’s see what happens.  Watch our main home page here, as well as the BBI Facebook as I will be posting up “Left Hook” in the next few days.

Also, as indicated by the title, I’ve stumbled upon (no pun intended, I didn’t use stumbleupon) a fix for Pro Tools M-Powered 7.4 to work on Windows 7.  It drove me bananas for months since I got Windows 7 that my Pro Tools does not work, but now with this fix, it works perfectly on 7.  The original fix though had a lot of URL’s in it, most of which I remember as spyware related sites, so I deleted all of those (they were in the site zone entries and history entries written into the .reg file), and left the more appropriate registry entries.  Please feel free to delete any other suspicious registry entries and let me know so I can update this patch as well.

ProTools M-Powered 7.4, Internet Explorer 8 and Windows 7 Fix

Mind you, I don’t deal in warez, so that is just the fix, not the program itself.  Click the link if you’re having that problem with M-Powered 7.4 with either IE8 and/or Windows 7.  On prior versions of Windows, uninstalling IE8 would do the trick, but disabling it on Windows 7 (uninstalling IE8 is not permitted on Win7, just disabling) would not work.  This will get you around that.

As I said above, I’ve deleted the questionable entries (that I’ve noticed).  You may want to give the .reg file a once-over first before merging it with yours in case you have a better eye.

I’ll have more soon!  More projects, and this weekend I am excited for a FoRcE oNe beat selection/recording session, as he is taking the initiative to make a song and be a big part of the creative process.  I’m a fan of artist evolution, so this will be a very fulfilling project for me.  He has only one solo song under his belt completed, so we’ll see what the young gunna has to say.   Be on the lookout for that one.

Also, Cocoa has some demos she is looking to have me hear and work on, and Destiny and I have a few projects on deck as well.  You can’t forget projeCt inhalOr with ADM, and I’m sure you’ll be hearing a bunch from Brian Bullion soon as far as production is concerned.  The entire fam has got at least one project waiting in the wings, so as I’ve always said, 2010 is our year.  Watch!

-mnshyn

MooN ShynE – The Bomb Squad feat. the entire MsP Family [video promo]

Wednesday, February 3rd, 2010


Promo video, ya dig! =D Makes it real easy to share on Facebook and everywhere else. Hope you guys like it, even though it’s not an actual video where we’re acting everything out. That may happen in the future. Who knows?

Let’s see what the future holds. =]

-mnshyn

Hear it now! MooN ShynE – The Bomb Squad feat. The Entire MsP Family

Monday, February 1st, 2010


If you have been following this blog, you’ll notice that the first ten blogs were about this particular song which took almost 2 years to create when you include all the delays (no pun intended) and the different versions and iterations.

Well here is the final song, in all its splendor and glory, [at 96k though, CD quality available from iTunes on March 1, 2010 ;o) ] and I hope you guys like it.  Considering it’s the first song where every active MsP member’s voice is on it, this is a very important song to me and one of the ones I’m most proud of. =]

Order of performers:

0. GnP’s Takewun on the prologue.

1. Cocoa
2. DiMpLeZ (MooN ShynE and ADM in the background)
3. K-Maculate
4. Less with a cameo by GNP’s Boy Gnyus yelling “Aiyyo back the f*ck up!”
5. Harmony Speaks (on the walkie-talkie, talking to MooN ShynE)
6. FoRcE oNe
7. Brian Bullion
8. ADM (with MooN ShynE)
9. Destiny Soprano
10. MooN ShynE

Some blog posts of importance to this song, for anyone wanting to ask about production techniques:
History of the song
Robot voice used for DiMpLeZ
Vocal notes for Harmony Speaks
Comp’ing Destiny Soprano’s vocals

Hope you guys like it. =] Remember, to get the CD Quality version, get it on iTunes when it comes out on March 1, 2010 when “Phase 3 – L.Y.R.I.C.A.L. Without Fear” makes its debut.

-mnshyn

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