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Archive for the ‘Music Commentary’ Category

Let the beat roll…

Thursday, September 9th, 2010

Just a few notes from me re: my perception of dynamics.

You may or may not relate to this in the genre sense but you should be able to understand the “feeling” of it.

Without going into specifics and without thinking about it too much, think of any song that at one time or another made you feel euphoric. Take that to mean what you want – elated, energized, relaxed and happy, high… whatever. It also shouldn’t matter what song it was, what genre, how old it was, or how old were. Have you picked a song yet? Don’t try to zero in on any specific song that makes you feel good, try to focus on a time you felt good because of a song. Hope you have a song in mind because now the thinking begins.

For the next part try to separate any emotional attachment your song may have stirred up in you. This isn’t about how a song makes you feel, but rather that a song makes you feel good because of the essence of the song and not because XYZ happened while that song was playing. Understand? What was it about the song that made you feel the way you did? Was it the drum beat? Or perhaps it was some guitar riff? To some people it may be (more…)

Music Scene Spotlight: Aaliyah Was One In a Million

Wednesday, August 25th, 2010

I remember walking into the Virgin Megastore that was on Union Square on August 25, 2001.  It was my first day at my dorm at NYU for my sophomore year.  It was a small tradition that I made for myself that each year I go back to New York I would buy a CD at that store.  The first year it was Dilated Peoples “The Platform,” and that year it was Canibus’s “2000 B.C.”

I walked up to the counter and while ringing up the CD, he asks me, “Did you hear about Aaliyah?”

I said, “No, what happened?”

He replied, “She was in a plane crash and passed away.”

My jaw dropped.

I admired Aaliyah, because her “One in a Million” album was a classic to me.  The combination of Aaliyah on top of Timbaland beats were a match made in heaven, and I had bumped the songs from that album consistently for a number of years, most especially “If Your Girl Only Knew,” “One in a Million,” “Four Page Letter,” and the remix to “Hot Like Fire.”  Her voice was just right; she wasn’t a flashy singer, but on point with emotion and delivery with that correct amount of soul.  Her harmonies always sounded great.

Most people usually use the word “angel” to describe her, and I’d have to say that description is pretty accurate especially when it came to her voice.  There was a smooth feel there that just made you feel, “this girl’s definitely got it.”

And you have to admit, the hair over the eye, shades, and the baggy jeans/pants and tank tops were a good look without sluttiness giving a touch of not-so-feminine but sexy.

She had great versatility too.  On that album alone you had ballads like “Four Page Letter” and “How Could the One I Gave My Heart To,” more funky songs like “If Your Girl Only Knew” and “Hot Like Fire” (remix was RIDICULOUS), and sensual sounding songs like “One in a Million,” and she handled her business properly on each.

Couple that with Timbaland’s ingenuity, and you had the perfect combination.  Sorry Keri Hilson (even as great a songwriter as you are), but Keri doesn’t match nearly as well with Timbo as Aaliyah did.

Even her later works, like “More than a Woman,” “We Need a Resolution,” “Rock the Boat,” “Try Again,” and “Miss you,” were all really good songs, and I thought Aaliyah opening up “Up Jumps the Boogie” with Timbo, Missy and Magoo was just epic; there was just a feel to it that made you feel something was about to happen.

When I think of female R&B artists now, there’s a void where Aaliyah should be.  No disrespect to the Beyonce’s and Alicia Keys’s of the world (both great artists, mind you), but there was something about Aaliyah that was different.  The right amount of soul and sweet melody with no gimmicks, no overdone sexiness, and a good amount of versatility.

Here’s just some of my favorites from YouTube so you can enjoy the greatness that was Aaliyah:

If Your Girl Only Knew:

One in a Million:

Four Page Letter:

Hot Like Fire [remix]:

Rest in Peace Aaliyah.  We all miss you.

-mnshyn

Phase 4 and The Intrigue of Hidden Messages and Symbols, like Paul McCartney Supposedly Being Dead

Monday, August 23rd, 2010

Most, if not all, people love puzzles to a certain extent.  People like the challenge and being able to boast that they had figured it all out when people couldn’t have.  Give somebody a riddle, and they would dare not walk away without an answer, whether they figured it out or whether they ask the person giving the riddle for the answer.

Looking back in the history of music, there have been a number of instances where people have put symbols and hidden messages behind people’s music whether it was the intention of the artist or not.  How many stories have you heard where if you play a certain record backwards at a certain point in a track you will hear some hidden message? People love it, the speculation, the guessing, just for the privilege of saying “I told you that’s what it was!”

One of the biggest hidden message stories had to do with the biggest band to date, “The Beatles.”

Is Paul McCartney dead?  That was the question.  Was he replaced with a body double by the name of William Campbell who won a Paul look-alike contest?  Fans and conspiracy-theorists alike have speculated over this for years, and have given the following as some of the “evidence:”

  1. On “Strawberry Fields Forever,” John supposedly says “I buried Paul” near the end of the song.  (John says he said “Cranberry Sauce,” not “I buried Paul”)
  2. Play “I’m So Tired” backwards, and you’ll hear John say “Paul is dead, miss him, miss him, miss him.”
  3. Play “Revolution 9″ backwards, and the droning number 9′s, turn to “Turn me on dead man.”
  4. The order in which The Beatles are walking in Abbey Road put Paul in position to be the one in the casket during funeral proceedings.  John, dressed in white is the preacher, Ringo is the pallbearer, Paul (who is smoking, barefoot, and out of step with everyone else) would be the corpse, and George is dressed like a grave digger.
  5. A walrus is symbol of death in certain cultures, and coincidentally, Paul is the Walrus on the Magical Mystery Tour cover.  He’s also wearing a black rose instead of a red rose as the other three are wearing.

Now are these coincidences?  Or was it planned by The Beatles?  These are just a few of the many instances on music and on pictures and album covers that people have found and speculate that the Paul we have heard over the years since roughly around 1965 is the not the original Paul.

If this “Paul is Dead Hoax” stuff interests you, click here for a more detailed rundown of all the “hints.”

Of course, backmasking (the real term for using reverse-playing sounds on a forward playing track) has been the subject of notoriety when it comes to hidden messages.  Stuff by Ozzy Osbourne, Led Zeppelin’s “Stairway to Heaven”, and others have been said to have evil messages when played backwards, though they have denied any evil doing.  More modern bands such as Slayer and Cradle of Filth have had their share of admittedly backmasking messages.  There have been good messages also, such as by the Christian band Petra, who asks why people look for the devil instead of seeking the Lord, and others who have made parodies by placing funny messages backwards just for people to play it and have a good laugh.

And with that, I embark on my fourth solo album, with all of that in mind.

Phase 4 – symboLYRICism

More to come soon!

-mnshyn

Lyricist Manifesto = k-maculate’s thoughts

Tuesday, August 10th, 2010

Sup ya’ll,

I’m using this upcoming album, “Lyricist Manifesto”, to demonstrate my lyrical prowess. I feel the 1st Black and Blue Ink. self-titled album was our best yet, showing our skills in word play, punch-lines and imagery. Through rational thought, I’m trying to challenge myself to make the Lyricist Manifesto a piece of lyrical art that would supply mainstream hip-hop listeners a more enjoyable experience than what they are subjected to on the radio and in clubs.

I try to listen to what’s playing out there…like kanye, 50, the cash money crew, Dipset,Jay-Z ….what have you…… but nothing catches my attention like a powerful verse supplied by those rippers that I do listen to……. Canibus, jedi mind tricks, rakim, and some lesser known cats. I can put together a good verse that can show I can rhyme in my sleep. But what Moon Shyne and I are trying to do in this next album will be a real treat to the hip-hop fan. I often have lyrical bars coming to me throughout the course of the day. What I do is harness that power till I hit the booth and lyrical magic then occurs. What I ask is from ya’ll is to take your ear-muffs off and pay attention to the power of the Lyricist Manifesto!

God Bless, K-maculate

==

For more on Black and Blue Ink. and the upcoming “The Lyricist Manifesto” album, make sure to go to http://www.blackandblueink.net for the latest updates.

Music Scene Spotlight: I Want My A Capella Straight No Chaser

Sunday, June 13th, 2010

So while watching the NBA 2010 Finals, (game 5 in Boston, to be exact, BEAT LA!) I was flipping channels and landed on the New Jersey Network.  They were showing a televised performance by an a capella group called “Straight No Chaser.”

“Straight No Chaser” is a group of 10 male vocalists, harmonizing their way through covers such as “Time of the Season” by the Zombies, “Africa” by Toto, “Up on the Roof” by The Drifters, and a nice rendition of “Wonderwall” by Oasis.

I’m always up for unique music performances, and although I’ve seen some cool a capella performances, there was a certain swag to these guys that really caught my ear and eye.  Their performance of “Time of the Season,” (coincidentally something I had sampled, more on that later. =] ) was great.  The vocal arrangement was on point, and the performance was strong with the vocalists showing their personalities not just in their voices but in their delivery and actions.  There was a particular cut when Jerome Collins (one of their Tenors and soloists) was moving his head in such a way with the adlibs that showed how much they enjoyed what they do and how much they put into their performances, and another where he was doing some Michael Jackson moves.  I hope to catch them in Atlantic City in July as they will be at the Harrah’s for almost two months.

Here’s their rendition of Wonderwall, which I thought was pretty dope:

Here’s their website: http://www.sncmusic.com/

Hope you enjoy the tip.  Stay tuned tomorrow for my review on drum recording; I’m going to go over my processes for the original kit I’m putting out this Wednesday. =]

-mnshyn

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